Projects
中間人 / GO-BETWEEN
Go-Between traces a personal return to Hong Kong and the Canton region after seven years of loss and rapid change, using monochrome photographs to explore how evolving cityscapes reshape memory, belonging, and the fragile tension between identity and place.
I Wanted to Call but Nobody Answered
I Wanted to Call but Nobody Answered is a journal-like series of black-and-white photographs arranged along a subjective timeline and interwoven with anecdotal texts that mark the passing of time, exploring change, chance, and regret while emphasizing the value of remembrance and the importance of meeting life’s experiences with thoughtful attention.
Windsong
Windsong is a photo book series exploring the wind-shaped islands of Britain and Ireland, reflecting on how elemental forces sculpt landscape and settlement, and how these austere terrains reveal resilience, humility, and nature’s enduring, indifferent power.
Kunst Gegen Missbrauch (Art Against Abuse)
Kunst gegen Missbrauch (Art Against Abuse) is a traveling exhibition raising awareness about sexual violence against minors through artworks, photography, and research-based information, presented in cooperation with child protection, academic, and law enforcement partners at educational institutions.
, - . (aka Punctuation)
The series “ , - . ” (Punctuation) by photographers Armando Milano and Felicitas Yang is inspired by Kurt Vonnegut’s Slaughterhouse-Five (1969), using non-linear visual fragments to suggest that life can be understood as a collection of carefully chosen, meaningful moments rather than a linear narrative.
A Horse with No Name
Heno heno moheji
Heno-Henomomoheji is a street photography series made across Japan in 2018, using black-and-white film to explore how fragmented symbols and everyday scenes can be rearranged into new, meaningful visual identities.
Over four years, this USA series by Armando Milano and Felicitas Yang uses repeated views of largely empty American spaces to reflect on how politics, identity, and power are shaped by images, spectacle, and the quiet, enduring infrastructures beneath them.